Gustavo 'Highway' Sanchez is a man with a mission: he is planning to replace every last one of his unsightly teeth. He has a few skills that might help him on his way: he can imitate Janis Joplin after two rums, he can interpret Chinese fortune cookies, he can stand an egg upright on a table, and he can float on his back. And, of course, he is the world's best auction caller - although other people might not realise this, because he is, by nature, very discreet.
A young video shop assistant exchanges the home comforts of one mother-figure for a fleeting encounter with another; a brother and sister find themselves at the bottom of a coal mine with a Japanese tourist; a Welsh stag on a debauched weekend in Dublin confesses an unimaginable truth; and a twice-widowed pensioner tries to persuade the lovely Mrs Morgan to be his date at the town's summer festival...
Salem, Massachusetts, 1851: McGlue is in the hold, still too drunk to be sure of his name or situation or orientation – he may have killed a man. That man may have been his best friend. Now, McGlue wants one thing and one thing only: a drink. Because for McGlue, insufferable, terrifying memories accompany sobriety. A-sail on the high seas of literary tradition, Ottessa Moshfegh gives us an unforgettable blackguard on a knife-sharp voyage through the fogs of recollection. (présentation de l'éditeur)
A memoir of self-discovery and the dilemma of connection in our time, The Odd Woman and the City explores the rhythms, chance encounters, and ever-changing friendships of urban life that forge the sensibility of a fiercely independent woman who has lived out her conflicts, not her fantasies, in a city (New York) that has done the same. Running steadily through the book is Vivian Gornick's exchange of more than twenty years with Leonard, a gay man who is sophisticated about his own unhappiness, whose friendship has "shed more light on the mysterious nature of ordinary human relations than has any other intimacy" she has known. The exchange between Gornick and Leonard acts as a Greek chorus to the main action of the narrator's continual engagement on the street with grocers, derelicts, and doormen; people on the bus, cross-dressers on the corner, and acquaintances by the handful. In Leonard she sees herself reflected plain; out on the street she makes sense of what she sees.
Cora is a slave on a cotton plantation in Georgia. All the slaves lead a hellish existence, but Cora has it worse than most; she is an outcast even among her fellow Africans and she is approaching womanhood, where it is clear even greater pain awaits. When Caesar, a slave recently arrived from Virginia, tells her about the Underground Railroad, they take the perilous decision to escape to the North.
A guide to the art of personal writing, by the author of Fierce Attachments and The End of the Novel of Love
All narrative writing must pull from the raw material of life a tale that will shape experience, transform event, deliver a bit of wisdom. In a story or a novel the "I" who tells this tale can be, and often is, an unreliable narrator but in nonfiction the reader must always be persuaded that the narrator is speaking truth.
Henry Green, whom W. H. Auden called 'the finest living English novelist', is the most neglected writer of the last century and the one most deserving of rediscovery by a new generation. This volume brings together three of Henry Green's intensely original novels.
Discover the unforgettable novel picked among 2017's most anticipated books by the Guardian, Daily Telegraph, Buzzfeed, New York Times and many more...An extraordinary story of love and hope, travelling from the Middle East to London and beyond, from the bestselling, Man Booker-shortlisted author of The Reluctant Fundamentalist Nadia and Saeed are two ordinary young people, attempting to do an extraordinary thing - to fall in love - in a world turned upside down. Theirs will be a love story but also a story about how we live now and how we might live tomorrow, of a world in crisis and two human beings travelling through it. Civil war has come to the city which Nadia and Saeed call home.
Ali Smith's new novel is a meditation on a world growing ever more bordered and exclusive, on what richness and worth are, on what harvest means. This first in a seasonal quartet casts an eye over our own time. Who are we? What are we made of? Shakespearian jeu d'esprit, Keatsian melancholy, the sheer bright energy of 1960s Pop art: the centuries cast their eyes over our own history-making.
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